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Truly great collectors are a very rare breed. I was fortunate enough to come into contact with one when I was introduced to Mithra Neuman in 1995. Immediately, I was struck by his commitment and dedication to seeking out the highest quality example of each item for his collection, which to my great excitement was to now include important 20th century furniture design, and in particular the work of Charles and Ray Eames. Condition and absolute originality were, and remain, prime concerns to Mithra. But so too is the historic academic placing of objects. For example, much of the furniture by the Eameses was produced in large numbers over many years. The examples of major interest to him, therefore, were those closest to their actual dates of design. With these parameters in place it is safe to say that together, over a ten-year period, we formed the largest and most important collection of Eames furniture in private hands.
Many objects in the collection included exceptionally rare pre-production prototypes, such as the three-legged CTM and the three-legged tray table, or unique pieces, such as the 16-panel FSW and composite table for IBM — all of which are offered for sale here. But while the collection continues to evolve, the practicalities of appropriate available space remains a determinate factor in whether or not to deaccession objects. And in the case of the Neuman collection, all objects have always been sited and used within the context of functioning domestic interiors. Lack of space now demands an editing of the collection, but with the help of Wright, we are pleased to make available once again to all discerning collectors, both public and private, some supreme examples of some of the most important and innovative furniture ever created. —Peter Fiell
Waverly Products
USA, c. 1950
transfer-printed fiberglass, brass
26 dia x 17 h inches
This is the only known example of this form.
Estimate: $5,000–7,000
Result: $6,000
The fiberglass tabletop of this form features the pattern Sea Things designed by Ray Eames.
Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 86-87 discuss and illustrate pattern design
Provenance: Neuman Trust Collection
This pattern received honorable mention in the Competition for Printed Fabrics sponsored by the Museum of Modern Art, New York in 1947. The fabric designs were licensed to Waverly Products in the early 1950s to decorate trays in various sizes.
Excellent condition showing only light surface patina to metal.
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